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RT @starter_story: $35,000/month from 3 CLONED apps. Bro was an optician. Taught himself how to code. Started building apps. We talked fo…
https://t.co/zSf5Z2H78P https://t.co/ryMAyS77qn https://t.co/Gm6gdHaLgp On a mission to inspire 1B people to build stuff!
"We're trying to demonstrate that people can come to government, even for a short period of time, even for two years, do great work, and ultimately, that work will present tremendous career opportunities for them." Follow us at @USTechForce and apply to join our team today at https://t.co/Fs1gPbBhKW. https://t.co/MOvD02uqy6
Dir., Office of Personnel Management (previously, MP at a16z); Author of Secrets of Sand Hill Road; father of three amazing/crazy/beautiful girls.
RT @LaiskyCai: Starting job‑hunting recently, Golang backend dev available. Pro in Go, Python, JS. Years of infra, web‑service, security pr…
Software engineer, 🎙️《捕蛇者说》播客主播 @pythonhunter__ https://t.co/LGIKFkoQbn - Mac 上最好的划词 AI 搜索 & 翻译 可通过 Telegram/Gmail 找我，ID 同名
For the POLAR DERIVATIVES exhibition today I'm trying out something new: 🐻❄️ "Polina" – a polar bear in polar coordinates – is a 1/1. 🖨️ But if you want, you can pick up a low-cost QEDitioned "print" instead (ed/42). The way this works is that the edition reads Polina's (fully onchain) metadata, and renders a displayed version with a border and other structure indicating the print's relationship to the original. If the original is updated for whatever reason, the prints inherit those updates automatically. This is a first pilot of a new primitive I'm working on to try and solve a market design puzzle in NFT art space. I'll explain the idea in more detail as I develop it, but in short: 🖼️ In the outside world, it's common for artists to produce prints and other first-party derivatives of their existing works – think anything from high-end lithographs to postcards and mugs. 🖥️ By contrast in NFT-space, we've sort of ended up in a di.5-chotomy: 1/1 works and art editions, all of which typically constitute "originals" (albeit sometimes with different prices and target audiences); and then "derivatives" often created by third parties (and possibly competing with the originals). I'm thinking of the "inherited metadata" paradigm for digital prints as a potential mechanism for artists to produce works that can complement their originals in a nondilutive way: expanding enjoyment of the artwork, and giving people a way to express and publicly signify their appreciation even when they can't afford their favorite 1/1 – while clearly establishing hierarchy and separation relative to the original. The metadata being "printed" is currently rendered client-side via JavaScript, but I'm investigating ways to integrate that into the smart contract call. Please let me know your thoughts on the approach – if people like it and I can make the process smooth, I might try to protocolize it for broader use. And in the meantime, if you'd like to collect a polar bear: 36 prints are available for .01 ETH each; and the original is listed for .42 (because polar bears have 42 teeth). Links below 👇👀 & thanks so much to @COMPUTERBLOOD for including me in the exhibition, and to @ripcache and @ZDestories for comments on the print concept. QED 🙏🐻❄️
PS: Polina blinks occasionally!
RT @OpenRouterAI: New experimental @MistralAI model Mistral Small Creative is live now on OpenRouter! It is a small model designed for cre…
Co-founder and CEO @MistralAI. Talk to le Chat https://t.co/ZMZG8rAlWz https://t.co/ydSK6xG4Ce https://t.co/b1uf0UK5U8
But overall creatine is extremely well researched over long time frames, cheap, and readily available. If you take one supplement, make it creatine.
stealth consumer bio | prev founding team @a16z @speedrun | writer of the bird’s nest, https://t.co/3fgQ6avUsx