The French Revolution wreaked immense damage on human civilization and the world. It could be considered a "great victory" for the Catholic Church on the world stage. It destroyed the foundations of Catholicism in the West and simultaneously introduced its brainwashing weapon, "liberty, equality, and fraternity," as progressive ideology, onto the world stage, poisoning the world.
The core ideology of the white left is "freedom, equality, and fraternity." In fact, this is the ideological weapon used by the Youtiao to subvert the world. They put freedom, equality, and fraternity on the table and use the tone of "justice" to incite the masses to kill their enemies with borrowed knives. Humanity is a hierarchical society. Freedom is constrained and equality is different for each class. They use "freedom and equality" to deceive and incite the ignorant. They use "fraternity" to make people turn a deaf ear to social problems.
It allows people to indulge in moral pleasures rather than understanding social truths and addressing real problems. Modern white leftism is called a "social cancer" because it undermines society's immune system, depriving it of its ability to self-purify and repair itself. Following the outbreak of the French Revolution, the French National Assembly passed a resolution in 1791 granting citizenship to all French Jews, making France the first European country to grant citizenship to its Jews.
In 1799, Napoleon came to power and liberated Europe's Jews through war. The Enlightenment now controls America and virtually the entire world. The French Revolution's emasculation of Catholicism left humanity without a crucial weapon against the Enlightenment. They discredited monarchy and religion, using their "justice" to kill, destroy, and conquer the world. Their orchestrated French Revolution (the Enlightenment) played a pivotal role, and Satan smiled with satisfaction.
The painting in question is "Liberty Leading the People," an oil painting by French artist Eugène Delacroix commemorating the July Revolution of 1830. This photo shows the artist, Eugène Delacroix, performing a Masonic hand gesture, a familiar cliché: art serving and promoting propaganda.
Rumor has it that Eugène Delacroix was the illegitimate son of the renowned diplomat Talleyrand. If you could say that dough sticks were the screenwriter of the French Revolution, then Talleyrand was the director. With the blessing of his boss, Talleyrand remained in office for 13 consecutive terms, never once mistaking his fortune. Louis Madeleine commented on Talleyrand in his "Biographies of the French Revolution":
Many of Talleyrand's contemporaries saw the Revolution as a stage, and the Revolution that once trapped him was like a chessboard. Because he could easily make a move of "check", he would continue to observe the seemingly chaotic chessboard, never losing sight of the progress of the game for a moment, and maintaining a distance to survey the entire situation from his high seat.
@threadreaderapp unroll