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just get an old computer and set up your own dial-up network and play old games that you burnt to CDs

just get an old computer and set up your own dial-up network and play old games that you burnt to CDs

the distribution is anything but normal

avatar for snwy
snwy
Sat Nov 01 22:21:19
RT @rickmanelius: Used to have free lunch at school.

Single mom (the secretary at the school) would also float kids that showed up to scho…

RT @rickmanelius: Used to have free lunch at school. Single mom (the secretary at the school) would also float kids that showed up to scho…

Market Design/Entrepreneurship Professor @HarvardHBS & Faculty Affiliate @Harvard Economics; Research @a16zcrypto; Editor @restatjournal; Econ @Quora; … | #QED

avatar for Scott Kominers
Scott Kominers
Sat Nov 01 22:16:19
罗振宇的一个特别有意思的观点, 资治通鉴是以它的规模宏大而闻名于世,并非由其著作本身的优秀。

罗振宇的一个特别有意思的观点, 资治通鉴是以它的规模宏大而闻名于世,并非由其著作本身的优秀。

Growth Coach|Helping creators build their personal brand on X wechat official:PandaTalk8

avatar for Mr Panda
Mr Panda
Sat Nov 01 22:14:17
Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago!

I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic.

We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth.

Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks.

3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures.

Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks.

Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

Your guide to radiance fields | Host of the podcast @ViewDependent | Founder and CEO of https://t.co/5MjtfpwEU3 | discord: https://t.co/lrl64WGvlD

avatar for MrNeRF
MrNeRF
Sat Nov 01 22:11:53
RT @0xdiid: Beautiful work of art for a good cause

RT @0xdiid: Beautiful work of art for a good cause

Market Design/Entrepreneurship Professor @HarvardHBS & Faculty Affiliate @Harvard Economics; Research @a16zcrypto; Editor @restatjournal; Econ @Quora; … | #QED

avatar for Scott Kominers
Scott Kominers
Sat Nov 01 22:11:14
很佩服 在ai 这么浮躁的环境下,还有一些人在潜心做一些深入的研究工作。

很佩服 在ai 这么浮躁的环境下,还有一些人在潜心做一些深入的研究工作。

Growth Coach|Helping creators build their personal brand on X wechat official:PandaTalk8

avatar for Mr Panda
Mr Panda
Sat Nov 01 22:11:00
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