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Still my fav model and cli. Gemini 3 pro + cli also is the first agent/terminal combo that doesn't routinely make my blood boil while using it.

Still my fav model and cli. Gemini 3 pro + cli also is the first agent/terminal combo that doesn't routinely make my blood boil while using it.

gpus and tractors Neural networks from Scratch book: https://t.co/hyMkWyUP7R https://t.co/8WGZRkUGsn

avatar for Harrison Kinsley
Harrison Kinsley
Mon Dec 08 22:08:36
RT @dbreunig: If this is true, it's the best argument that distribution and app design is more important than the model. 

Remember: MS has…

RT @dbreunig: If this is true, it's the best argument that distribution and app design is more important than the model. Remember: MS has…

Asst professor @MIT EECS & CSAIL (@nlp_mit). Author of https://t.co/VgyLxl0oa1 and https://t.co/ZZaSzaRaZ7 (@DSPyOSS). Prev: CS PhD @StanfordNLP. Research @Databricks.

avatar for Omar Khattab
Omar Khattab
Mon Dec 08 22:07:24
China’s biggest advantage in the AI race is that 72% of Chinese trust AI and only 32% of Americans do.

China’s biggest advantage in the AI race is that 72% of Chinese trust AI and only 32% of Americans do.

Professor of computer science at UW and author of '2040' and 'The Master Algorithm'. Into machine learning, AI, and anything that makes me curious.

avatar for Pedro Domingos
Pedro Domingos
Mon Dec 08 22:06:55
Another version

----

A sweeping, wide-angle cinematic photograph capturing a surreal time-warp across [SCENE]. The composition seamlessly blends two distinct time periods: [ERA_CONTRAST] (e.g., "the 1920s versus present day", or keep default as "roughly 100 years ago versus the modern era").

The Historical Side (Left/Background): This section features period-appropriate architecture, materials, and fashion distinct to the past era's version of this location. Think historical building materials (stone, wood, aged brick), traditional or vintage attire specific to that time, period-specific vehicles or conveyances, and analog signage or lighting (gas lamps, lanterns, early electricity).

The Modern Side (Right/Foreground): This section showcases contemporary life: modern infrastructure, glass and steel architecture, current fashion trends, advanced technology (smartphones, LEDs), electric vehicles, and vibrant digital signage.

THE CRUCIAL FUSION (Center & Interactions): The core of the image is the seamless merge. The boundary between eras dissolves completely. Structures should morph physically from old to new (e.g., a stone pathway turning into asphalt, an old gate transforming into a modern entrance). Most importantly, emphasize direct visual interaction between the eras: Figures from the past interact with the modern world—a person in historical attire looking with wonder at a smartphone held by a modern tourist, a vintage vehicle driving alongside a modern sports car, or musicians from different eras playing together. The lighting blends dramatically from warm, historical tones to cool, modern neon.

Technical Specs: Photorealistic, 8k resolution, highly detailed, dramatic cinematic lighting, wide-angle lens, deep depth of field.

----

SCENE: University  of Oxford 
Era Comparison: 1300s and present day 
--ar 4:3

Another version ---- A sweeping, wide-angle cinematic photograph capturing a surreal time-warp across [SCENE]. The composition seamlessly blends two distinct time periods: [ERA_CONTRAST] (e.g., "the 1920s versus present day", or keep default as "roughly 100 years ago versus the modern era"). The Historical Side (Left/Background): This section features period-appropriate architecture, materials, and fashion distinct to the past era's version of this location. Think historical building materials (stone, wood, aged brick), traditional or vintage attire specific to that time, period-specific vehicles or conveyances, and analog signage or lighting (gas lamps, lanterns, early electricity). The Modern Side (Right/Foreground): This section showcases contemporary life: modern infrastructure, glass and steel architecture, current fashion trends, advanced technology (smartphones, LEDs), electric vehicles, and vibrant digital signage. THE CRUCIAL FUSION (Center & Interactions): The core of the image is the seamless merge. The boundary between eras dissolves completely. Structures should morph physically from old to new (e.g., a stone pathway turning into asphalt, an old gate transforming into a modern entrance). Most importantly, emphasize direct visual interaction between the eras: Figures from the past interact with the modern world—a person in historical attire looking with wonder at a smartphone held by a modern tourist, a vintage vehicle driving alongside a modern sports car, or musicians from different eras playing together. The lighting blends dramatically from warm, historical tones to cool, modern neon. Technical Specs: Photorealistic, 8k resolution, highly detailed, dramatic cinematic lighting, wide-angle lens, deep depth of field. ---- SCENE: University of Oxford Era Comparison: 1300s and present day  --ar 4:3

Prompt Engineer, dedicated to learning and disseminating knowledge about AI, software engineering, and engineering management.

avatar for 宝玉
宝玉
Mon Dec 08 22:03:12
Jacob's project is among the most timely. It's hard but I think it will solve a very pressing problem.

Jacob's project is among the most timely. It's hard but I think it will solve a very pressing problem.

Asst professor @MIT EECS & CSAIL (@nlp_mit). Author of https://t.co/VgyLxl0oa1 and https://t.co/ZZaSzaRaZ7 (@DSPyOSS). Prev: CS PhD @StanfordNLP. Research @Databricks.

avatar for Omar Khattab
Omar Khattab
Mon Dec 08 22:02:07
RT @jacobli99: three months into my PhD and I'm genuinely having the time of my life??? like I get to spend my days just diving deep into t…

RT @jacobli99: three months into my PhD and I'm genuinely having the time of my life??? like I get to spend my days just diving deep into t…

Asst professor @MIT EECS & CSAIL (@nlp_mit). Author of https://t.co/VgyLxl0oa1 and https://t.co/ZZaSzaRaZ7 (@DSPyOSS). Prev: CS PhD @StanfordNLP. Research @Databricks.

avatar for Omar Khattab
Omar Khattab
Mon Dec 08 22:00:35
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